Experimental film - Pulp Fiction
Pulp fiction (Tarantino, 1994)
Close study of single film
Key elements of film form
context
representation
Experimental film - additional specialist area
Key features
- Fragmented narrative and narrative structures
- Experimental cinema encompasses a range of film forms within this category, directors and films
- not all films within this category have all features
- resist cohesive narrative style - deliberately
Poses many challenges for the spectator who must work hard to put the overall narrative together
Often beginnings and endings are enigmatic - beginnings picking up from previous moments unknown to the spectator
Endings not leaving moral clarity or 'resolution'
Narrative
- At the extreme level experimental film can be a series of isolated 'moments' often impressions - like a painting
- it will be empty of a conventional plot and story
- It will resist creating characters with whom the spectator mat engage at any level
- Creating meaning will be the spectators role
Cinematic boundaries and paramaters
- Not as rarefied as Jarman or Akerman
- Recognisable story emerges
- Strong focus on characters and their part
- uses both sound visuals to drive the narrative
- Action and movement
Experimental
- Ground breaking in 1994
- clear linear/ non-linear narrative
- Multi-stranded narrative
- four rooms
He is writer and director
Bruce willis -
- Butch Coolidge (Bruce Willis) is an ageing boxer who is paid by Wallace to lose his fight.
- Butch Coolidge (Bruce Willis) is a boxer who's been approached by Marsellus and been told to throw his latest fight. When Butch ends up killing the other boxer, he must escape Marsellus.
- Butch Coolidge (Bruce Willis) is an ageing prizefighter who is being paid to "take a dive", but instead accidentally kills his opponent, and tries to flee town, but not before getting his dead father's lucky golden watch. These four seemingly unrelated stories are interwoven in a non-linear fashion.
Honey bunny & pumpkin
- launches the spectator straight in to the 'narrative'
- Dialogue is everyday stuff just before they plan to rob the coffee shop
- Voices, being nice - her voice changes when talking to waitress
- (compare with jules says get into character)
Jules/Vincent
intimidated guys who double crossed Marseilles
Vincent - Mia - potentially Vincent could have also double crossed Marsellus
Opening sequence:
- No context
- gives more questions than answered
- shot reverse shot
- slow paced cuts
- shallow depth of field
- hyper real sound of kiss
- center of the frame in the shots
Butch and Marsellus scene:
- only see butch
- no cuts
- just off the center of the frame
- only marsellus speaking for majority of the scene
- over the sholder shot
- No connections formed with anyone other than butch
1) Why is there satanic references
2) What inspired you to make this film in the way you did
3) Which story arc is your favourite
4) Why did u only show butch
Seminar questions
With detailed references to your film sequence identify, analyse and evaluate the extent to which it can be considered experimental. Make reference to key elements of film form to support your presentation.
Watch scene
- One timeline
- Gives deeper understanding of butch
- only time we see backstory to any character
- spectator understands Buch's intention which lead to 3 narratives crossing over
- Misplaced patriotism
- Serious theme delivered in serious way but also with humour
- Holding memories to inanimate objects
- Center frame
- Point of view shot
- Cinematography presents Walken as boring and less important as he blends in to the background - presenting him as uninspiring to butch
- canted angle to show how the scene is satire - experimental narrative
- butch looks uninterested and unemotional
- says father died of dissantary which adds to the satire
- Memory
Jimmy, Wolf and Marvin:
- Hear Mia, not see her-guess-don't formally meet
- Cinematography-presents Walken as boring and uninspiring
With detailed references to your film sequence identify, analyse and evaluate the extent to which it can be considered experimental. Make reference to key elements of film form to support your presentation.
Good clear notes. It would support your understanding to examine one piece by Akerman and Jarman.
ReplyDeleteJosh, detailed and highly effective notes on individual narrative strands and excellent observations of the key elements. However the homework task is missing.
ReplyDelete